nationalgeographic.com
24.07.2023
Notes from an author: Dee Peyok reflects on how music and memories have shaped her travels in Cambodia
Kampot, a river town in southwest Cambodia, is where my book took root. It’s around a three-hour drive from Cambodia’s capital, Phnom Penh, and it’s close to a mountain where my 10-year quest for answers ended in 2012. Here, in an abandoned casino at the mountain’s peak, I stumbled upon the voice of Cambodia’s most famous mid-century crooner-pop star. Alone, but for a stereo, a stranger and me, the singer’s mellifluous voice took flight in the Cambodian language, Khmer. Bouncing off the empty walls, his vocals entwined with a Farfisa organ, its keys squeezing out the melody of Procol Harum’s A Whiter Shade of Pale. His voice seemed to permeate every cell in my body. I felt as if I was soaring and immediately wanted to know everything about the mystery singer. I discovered later that his name was Sinn Sisamouth. Some call him ‘the Master’, others call him ‘the Golden Voice Emperor’, and many still call him the ‘Elvis of Cambodia’. Some say he recorded as many as 4,000 songs during his 20-year career.