A cellphone allows travelers to have a camera always at the ready. The latest phones offer multiple lenses with better resolution and enhanced macro and telephoto capabilities, enabling virtually every moment to be captured for posterity. This can be both a blessing and a curse. When should we be taking a photograph and when should we simply be taking the time to look and wonder at the world around us? Here are a few tips on when and what to shoot, and how to better frame what we see when we travel.
Try to capture a wide variety of images. While it is important to concentrate on classic landscape shots and portraits, also search for photographs with arresting colors and shapes, as well as the details of objects, works of art and food — the things that flavor a place and weave its visual tapestry. Imagine each picture as a jigsaw piece needed to complete an album’s puzzle. It’s useful to arrange these images in a separate folder on your phone, making one album for your favorites and another for the rest. That way you’ll be in better shape when it comes to the important task of editing.
Steven Spielberg ends his autobiographical film, “The Fabelmans,” with a meeting with the legendary director John Ford. Ford’s main piece of advice? Place the horizon toward the top or bottom of the picture because the middle is “boring.” This idea — also known as the rule of thirds — divides the frame into thirds, horizontally and vertically. The concept is to find a more dynamic angle by visualizing the scene or subject not centered, but rather a third of the way up or down (or across) the frame. On most cellphones, you can set up a three-by-three grid for the screen in the camera settings.
Successful landscape shots draw the eye across the whole frame, and for that you need to search for points of interest in the foreground, middle ground and distance. Find a vantage point that lets you see the different layers of a scene. Test different compositions by turning your cellphone both vertically and horizontally, and, if you have a choice of lenses, decide if the scene is best framed tightly or wide. Another way to enrich the landscape is to spot a person or an object and place them carefully in the frame as a focal point. It could be someone walking alone along a beach, or a tree on a hillside, or a horse in a field or a bicycle leaning against a wall. But look for something that catches the eye, giving scale and contrast to the scene.
Look for a clean background — a natural canvas with relatively solid coloring or shape, like a wall, open sky or foliage. If that’s not possible, move around the subject to find a backdrop that is less cluttered. Also, check that there are no upright objects, such as streetlamps or thin
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