A musical tour of Manchester: from the Hallé to the Happy Mondays

29.04.2024 - 11:23 / theguardian.com

Myth distorts any city’s musical history, and in Manchester myth looms as large as the new Co-op Live, a £365m, 23,500-capacity mega-venue that opens today and will soon be staging big-name acts, including Take That. So, for every occasion a music fan mentions the hit-making boy band or, for that matter, 10cc or the Hollies, a thousand more bark back: Joy Division, the Fall, Happy Mondays. Not that 10cc were a small Manc band, but they peaked before punk and a wall went up at the end of the 1970s that relegated all that had passed prior to 4 June 1976 – the night the Sex Pistols performed at the Lesser Free Trade Hall – to prehistory, as in dinosaurs, fossils, folk musicians. New hagiographies about music impresario Tony Wilson (1950-2007) are no doubt at the printers as I write. But how about we spend half an hour mooching round the Rainy City aboard the free buses and trams in search of the underplayed, surprising and tangential – with a few Gen X/6 Music standards for when we’re stuck at the lights.

You might not think Coronation Street a promising departure point, but it gives us an in to Bowton’s Yard. It’s one of those ditties that may prompt unpleasant memories of the BBC TV series Sit Thi Deawn, but listen carefully and you’ll hear it is in fact a Victorian reality show made song. Written by Marsden-born, Stalybridge-based Samuel Laycock, it inspired Tony Warren when he was devising the characters for his Weatherfield/Salford-set soap opera. Granada Studios on Quay Street also played a leading role in disseminating the north-western sound, from regional accents to theme tunes to the Beatles’ first TV appearance, in October 1962.

Dialect ballads spoke truth to power after Peterloo – memorialised in 2019 by Jeremy Deller’s burial mound-like stone tump – and during the cotton famine. To spread the word, broadsides were run off at printers around the Oldham Street-Swan Street junction. Lancashire songs were central to the folk revival of the 1960s. Harry Boardman, a singer and collector from Failsworth, unearthed many anonymous songs of protest and historical record. Edward II has recorded a reggae version of the Great Flood, about the time the Medlock burst its banks in 1872. Jennifer Reid, from Middleton, performs The New Poor Law Bill a cappella on her album Gradely Manchester.

The most famous folk number, Ewan MacColl’s Dirty Old Town, alludes to a “gasworks wall” or “gasworks croft”, depending on the version. The works were in Ordsall, bounded by West Egerton Street, Liverpool Street and Regent Road. Prior to their demolition in 2019, a prosaic infographic (not quite a “muriel”) was placed on the West Egerton Street wall. The Working Class Movement Library is a repository of MacColl’s work