This as-told-to essay is based on a conversation with Tony Fernandes, a 60-year-old founder and CEO of UEGroup based in San Francisco, about his experience working remotely on a cruise ship. It's been edited for length and clarity.
23.04.2024 - 06:42 / forbes.com / Art Basel / David Hockney
The 28th annual edition of the international art fair Miart last week kicked off a month of art, architecture, design and fashion in Italy’s most fashionable city. With 180 galleries from 28 countries showing more than 1,000 artworks, Milan’s international fair has a well-deserved reputation for carefully selected galleries. The fair has made a stellar effort to stand out among the hundreds of annual art fairs that include mammoth fairs like Frieze and Art Basel by focusing on Italian galleries and by taking the unusual decision to have the emerging galleries, rather than the established blue chip galleries, right at the front of the fair.
The galleries at Miart are vetted by Nicola Ricciardi, the fair director and a panel of judges who select around half of the galleries that apply. While the focus is on Italy, this year they’ve also accepted a good range of international galleries including Helena Anrather (New York), Galerie Buchholz (Cologne, Berlin), Emanuela Campoli (Paris, Milan), Fabienne Levy (Lausanne, Geneva), Fortes D'Aloia & Gabriel (São Paulo, Rio de Janeiro), Greengrassi (London) and Galerie Neu (Berlin).
For foreign visitors, Miart offers the chance to see the great Italian art galleries that make up half of the fair, plus a wide range of art events around the city. A sensational retrospective show at the stunning Rem Koolhaas designed Fondazione Prada features 49 mostly sculptural works by Pino Pascali, who created so much before dying at age 32 in a motorcycle accident in 1968, the year he represented Italy at the Venice Biennale. And, at Pirelli HangarBicocca, a vast former tire factory, is a monumental Anselm Kiefer installation and two temporary shows: Ground Break by Nari Ward and Call and gather by Chiara Camoni.
Among the big ticket items at Miart this year were works by Italian artists like Giorgio de Chirico, Michelangelo Pistoletto, Lucio Fontana, Alighiero Boetti and Carribbean Tea Time, a gorgeous painted screen by David Hockney that sold for US$480,000 within the first two hours of the fair opening.
One of the most memorable booths was the Milanese Galleria Raffaella Cortese with a single artwork, a bronze swing that visitors were invited to try out. Created by Francesco Arena, the swing was available in an edition of three, all of which were sold the first day for $US 35,000 each.
In the Emergent section, a solo presentation by Alexis Soul-Gray was a real standout at Los Angeles gallery Bel Ami’s booth. The UK-based artist’s works combine painting, drawing and collage, using imagery from Italian Renaissance painting and advertisements idealizing family life from popular British magazines.
The Herno Prize, a 10,000-euro prize, for the art fair’s best booth went to Galerie
This as-told-to essay is based on a conversation with Tony Fernandes, a 60-year-old founder and CEO of UEGroup based in San Francisco, about his experience working remotely on a cruise ship. It's been edited for length and clarity.
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