Oct 18, 2024 • 6 min read
Oct 18, 2024 • 6 min read
Oct 28, 2024 • 9 min read
Oct 25, 2024 • 10 min read
Oct 24, 2024 • 9 min read
In August, while weighing a move from San Diego to LA, I took a road trip to the earthy, off-beat enclave of Topanga Canyon for a reflective weekend away. The community’s serene, New Age persona lured me in with the promise of crystalizing my relocation decision over contemplative canyon hikes, expansive artist chats, and, of course, a stay at a tucked-away cabin—the ideal place to think things over away from all the usual stressors of life.
Oct 18, 2024 • 5 min read
Oct 17, 2024 • 5 min read
In 2014, when the artist Dan McCarthy moved from Brooklyn into a converted schoolhouse in upstate New York, he decided the grand hall would be a future gathering spot for his many Facepots: large, wonky vessels decorated with a spectrum of grins and grimaces. The earliest ones, about a decade old, recall a time of emotional swings. “I hadn’t even found the clay that worked,” McCarthy says of that experimental phase, “so a lot of the pots were breaking in the kiln.” He learned to relinquish control, repairing the salvageable works using the Japanese technique known as kintsugi, in which mended seams are accented in silver or gold. The Facepots brought a new openness to McCarthy’s practice, as did the Hudson Valley. Absent the city’s pressures, he explains, “I was like a kid — on my hands and knees, lost in making a thing.” “Freedom,”a new monograph of McCarthy’s work, charts that arc, with nods to his Southern California upbringing, seen in rainbow-colored paintings of surfers and songbirds perched on guitars. Birds also animate new ceramic works in his solo exhibition at the Tokyo gallery Kosaku Kanechika, on view through Nov. 16. For McCarthy, these first faceless pots offer a shift in narrative. “Instead of a vessel, maybe it’s a nest,” he says, describing a fascination with his neighborhood birds. Kintsugi-like detailing appears on these pieces, too: Silver-leafed slabs camouflage the occasional split, while shiny rectangles evoke the little mirrors tucked inside birdcages. For the artist, fresh off his first flight to Japan, it’s a time of possibility. “I’m 62, which is old and not,” McCarthy says. “I think I’ve got another act in me. It should be an adventure.”
“In Corpus Christi, it’s the beaches, then everything else,” my shuttle driver Angela shouted over the roar of the highway as we hurriedly made our way downtown. That might be the truest statement I’ve heard in some time. McGee, Whitecap, North Beach, Mustang Island State Park, Padre Island — Corpus Christi’s beache scene is iconic.
From the rooftop pool deck of the Kimpton Sawyer in Sacramento’s Downtown Commons (DOCO) mall, I gazed down at a crowd of hyped-up circus fans buzzing around Golden 1 Center. Home to the Sacramento Kings basketball team, the arena also hosts concerts and special events like the Greatest Show on Earth, which happened to be in town during my visit.
Oct 15, 2024 • 7 min read
Oct 15, 2024 • 8 min read
Oct 11, 2024 • 7 min read
Oct 11, 2024 • 5 min read
Oct 10, 2024 • 6 min read
In the seven years since its opening, the beachfront resort Baha Mar has become one of the Bahamas’ premier luxury escapes, offering travelers a paradisiacal getaway just a three-hour flight from New York City. Now, the brand has announced it will be constructing a new hotel steps away down Cable Beach, set to open in 2029.
Daniela Jacobs, the founder and designer of Arc, a line of minimalist jewelry and home goods, is perhaps best known for her porcelain creations in shades of ecru and eggshell. But in 2018, a translucent organza garment that Jacobs created for a photo shoot led to such an unexpected swell of purchase inquiries that she decided to create a handful of one-of-a-kind garments to sell, titling it her Invisibles collection. Now, after 10 years in business, Jacobs is releasing a new batch of designs that explore the concept of invisibility with Arc Glass, a limited-edition capsule of rings, bangles, candle holders and plates made of borosilicate glass. In addition to pieces that are completely see-through, a handful of the designs are rendered in black, as well as a smoky hue that changes in different lights. “It almost has a turquoise tint to it, which feels right to me because of the Mediterranean vibe,” says Jacobs, who splits her time between New York and Majorca. As with her porcelain pieces, Jacobs’s glass creations require a bit of mindfulness when worn, but she insists that they’re made for everyday use. “I wear them on the subway. I wear them biking. I wear them when I’m in Spain. When I go to the sea, I take them off and put them on a rock; I come back, they’re fine,” she says.
Oct 9, 2024 • 13 min read
Oct 8, 2024 • 6 min read
Oct 9, 2024 • 9 min read
Oct 8, 2024 • 6 min read
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