The 60th edition of the art extravaganza that’s the Venice Biennale runs until 24 November at the two main venues Giardini and Arsenale. as well as countless offsite locations, official and unofficial. There are 88 National participations this year, with four countries participating for the first time: Republic of Benin, Ethiopia, United Republic of Tanzania, and Democratic Republic of Timor Leste. Here are eleven of the must see country pavilions.
Listening All Night To The Rain marks artist and filmmaker John Akomfrah’s latest exploration of memory, migration, racial injustice, and climate change. This exhibition delves deeper into the significance of listening and sound, presenting a single installation comprising eight interlocking multi-screen works. It serves as a manifesto, advocating for listening as a form of activism and highlighting progressive theories of acoustemology, which emphasize the transformative power of listening.
France’s colorful, immersive multimedia installation includes hanging objects wrapped in spools of thread and bronze sculptures filled with lavender water. The installation also includes sound and video inspired by the artist’s Carribean heritage.
Winner of the Golden Lion for best pavilion, the Australian exhibition features an installation by First Nation artist Archie Moore. Kith and Kin is a touching tribute to Australia's First Nations people and an examination of the lasting impacts of colonialism. Set in a black-and-white space with a reflective pool, Moore has adorned the walls and ceiling with a hand-drawn genealogical chart. Spanning 65,000 years and 2,400 generations, it showcases his ancestral ties to the Kamilaroi, Bigambul, British, and Scottish lineages.
Jeffrey Gibson's selection to represent the United States at the 60th Venice Biennale marks the first solo presentation of an Indigenous artist for the U.S. Pavilion. A riot of bold colors, patterns and text combine American, Indigenous, and Queer histories with references to popular subcultures, literary and artistic traditions. A member of the Mississippi Band of Choctaw Indians and of Cherokee descent, Gibson deploys these myriad influences as a form of resistance. His practice deconstructs the ways in which notions of taste, authenticity, and persistent stereotypes of Indigenous people are used to delegitimize cultural expressions that exist outside the mainstream.
Inspired by the resourcefulness seen in Tokyo's subway repairs, Yuko Mohri has crafted an unusual orchestra using similar materials. A fan makes a rubber tube vibrate, causing a shopping bag to rustle; rain hitting a plastic sheet creates a symphony with wind chimes. Clusters of decaying fruit are wired to electrodes, generating synthetic
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With its Pearl Street location and its founders’ history as Australia’s largest and oldest pearling company, it’s hard to resist making pearl references about The Wall Street Hotel. But the truth is this still newish boutique hotel in New York City’s Financial District is a delightful discovery, much like finding a pearl in an oyster.
The sun-drenched sepia photograph shows a dapper European, handkerchief in pocket, cigarette in hand, sitting among a row of men dressed in bisht and keffiyeh. The moment was captured during Jacques Cartier's first visit to the Persian Gulf in 1911, on his way back to London from Delhi—part of a sales trip encouraged by his father, Alfred, then the head of Cartier. The decline of the Ottoman Empire and the 1905 Persian Constitutional Revolution had flooded Europe's artistic centers with new influences, forging an aesthetic then known as “the Muslim arts.” Eager to learn more, Jacques spent four months traveling throughout Asia and the Middle East, rifling through bazaars and emporiums and mixing with high society.
Padua, in northern Italy's Veneto region, is the site of one of the world’s greatest art treasures that should be on every art lover’s bucket list. The Scrovegni Chapel houses the extraordinary 14th-century fresco cycle by Giotto that covers all the walls and ceilings. Despite having such a masterpiece and being a lovely small city, filled with history, culture and culinary delights, Padua is far less touristy than other Italian other art cities like Florence, Rome or nearby Venice. It’s a real hidden gem. And, at just 25 miles from Venice and easy to reach from Marco Polo airport, Padua is an easy day trip or addition to a Venice itinerary.
While neon-lit Tokyo moves ahead at hyperspeed, Kyoto ambles along at a leisurely pace. During its thousand-year reign as Japan’s imperial city, artisans from around the country flocked here to hone their skills in nishijin-ori silk weaving and kyo-yaki pottery. Today, in its traditional machiya town houses, ceramicists and woodworkers still produce the same fine wares as their ances- tors. But a group of younger makers is shaking up the scene, opening next-gen ateliers, teahouses, and concept stores that swap the sometimes-intimidating rules and rituals of traditional crafts with modern designs and easygoing retail spaces. Whatever the approach, one thing is for sure in Kyoto: The handmade reigns supreme.
Are you planning some European travel this summer? Me too. Getting from A to B by train has never felt so exciting, with a thrilling mix of new routes, classic journeys, and under-the-radar options to choose from.
A slew of exciting new hotels have been popping up in Honolulu — and starting June 1, there will be a new lifestyle hotel in the heart of one the city's most vibrant neighborhoods.
Good hotels are in the business of cherishing their guests. Hotels - at the highest end - are all about curation, which makes the products they sell in their shops particularly desirable, whether fashion, furnishings or art. Here are some presents that every mother will love.
It’s a Biennale time in Venice, aka the Art Olympics, an every-two-year event where La Serenissima’s 118 islands are almost entirely dedicated to contemporary art from countries and artists around the world. What started out as small art fair in the Giardini, Venice’s public park, has turned into a six-month, all-island, non-stop blockbuster art fest of exhibitions in palaces, galleries, public spaces, and, of course, the Giardini and Arsenale. This year’s 60th Venice Biennale Stranieri Ovunque - Foreigners Everywhere brings it on strong with 331 artists, 88 national pavilions and 30 collateral events, not to mention other pop ups. That’s a lot of art to take in, and a lot of ground to cover. After years of visiting the Biennale as press and also including time working at the US Pavilion, I’ve finally figured out the best way to navigatee Venice Biennale.
Norway’s capital city is famous for Vigeland Sculpture Park. Rightly so, for the park featuring 212 sculptures of celebrated visionary Gustav Vigeland has long been one of the country’s leading free tourist destinations.
The creations of Arizona-born Orlando Dugi, a member of the Diné Nation, are nothing if not dramatic: gowns glittering with delicate beadwork, silks embroidered with symbolic flora and fauna. Some have been exhibited at places like the Denver Art Museum and the Autry Museum of the American West in Los Angeles. While his imagination is fueled by his upbringing—days spent watching his grandmother sew and nights stargazing at his family's sheep ranch—Dugi also finds inspiration in Santa Fe, which he's called home since 2010. “All the tribal, colonial, and Spanish history—it's all here,” he says. “It's very small, but it's also pretty international.” New Mexico's capital city is set to draw a global audience as host of the inaugural Santa Fe Native Fashion Week, the first of its kind in the country, held from May 2 to 5, where Dugi will present highlights from his mens- and womenswear collections. When he's not designing, he enjoys connecting with Indigenous culture on the ancestral lands of the Tewa people—or kicking back with a margarita.