It was a sunny afternoon in February at the height of the high season on the Caribbean island of Curaçao, but my partner, Aaren, and I were far from lounging on a white-sand beach, snorkeling over a coral reef or strolling among the Easter-egg-colored buildings of Willemstad, Curaçao’s capital and a UNESCO World Heritage site — typical activities for travelers to this former Dutch colony.
Instead, on a kayak tour with Serlon St Jago, a guide from the Curaçao Rif Mangrove Park, we were learning about the country’s mangrove restoration, and the vital role mangrove habitats play in coastal resilience, protection for marine and bird species, and fighting the effects of climate change.
No poisonous snakes, alligators or large predators live on Curaçao, Mr. St Jago said, reassuring information as we paddled toward a forbidding wall of mangroves lining Piscadera Bay. Up close, the trees were magnificent and cheerful. Colorful birds roosted on tangled branches and trunks, and small paths under the green and occasionally yellow leaves beckoned us to explore. With our kayaks beached, Mr. St Jago pointed out fiddler crabs and mussels, and described differences of the local mangrove species — the red, white and black — and how they adapted to live and propagate where water meets land.
“There’s so much life here,” he said with infectious enthusiasm.
We were the only tourists on the water, but getting more visitors like us interested in mangroves, perhaps even persuading them to replant some of the vital trees themselves, has been a priority of scientists, activists, park rangers and tourism operators on Curaçao in recent years.
The island isn’t alone in its efforts: Similar mangrove-focused work has started around the world, in places like Indonesia, Australia, Belize and Florida, as fragile destinations balance tourism’s growth with the conservation — and restoration — of the natural resources that captivate visitors.
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With its beautiful cities and countryside of polders, dykes, windmills and canals connected by superb, sustainable infrastructure, the Netherlands is one of the easiest places to travel. As a visitor, you won’t find too many potential pitfalls, but there are still a few things to be aware of (starting with getting its name right!). Having written about this charming and fascinating country for almost two decades (and experienced it over a lifetime), these are my key tips for a smooth trip.
Hearty meat, mashed vegetables and huge wheels of cheese are just the start of the Dutch culinary story. The country has a natural larder of lush fields, pastures, coastline and waterways, and tens of thousands of acres of high-tech greenhouses.
Readiness and data insights to deal with climate change effects and its impact in destinations’ perception can make a difference when designing and executing promotional strategies, to ensure travellers’ expectation do not fall far from the actual experience. This is one of the main arguments Mabrian, the global travel intelligence company, brought to the Resilience Council panel, held during the latest edition of Arabian Travel Market.
Mabrian data indicates that France, United Kingdom and United States are the most sensitive key outbound markets for this region to climate perception, showing the importance unveiling insights based on data to align travellers’ expectations with their actual experience and future demand.
Navigating the Netherlands is a breeze. Its compact size means there are no domestic flights and the efficient, highly integrated public transport network of trains, buses and ferries covers all corners of the country.
Last year, when Micha Pycke, 40, and Albane Paret, 39, bought an apartment in Ostend — a once run-down Belgian seaside town that, in recent years, has become a favorite of artists and designers — they knew they wanted the place to be, says Pycke, “something more than an Airbnb or holiday home.” Instead, the couple, who co-own the Ghent-based arts- and design-focused communications agency Club Paradis, envisioned what he calls “a new kind of space”: essentially, a gallery where guests could stay overnight. To that end, they’ve filled the 1,000-square-foot two-bedroom, which is on the eighth floor of a ’60s-era building overlooking the North Sea, with works by some of their favorite artists and designers, many of whom are also their clients. In the living room, a lacquered wood coffee table by the Dutch designer Linde Freya Tangelder’s studio, Destroyers/Builders, sits atop a limited-edition rug by the Swiss textile artist Christoph Hefti woven with images of foxes. In one of the bedrooms, a copper-colored, ruched-felt tapestry by Rooms Studio — a women-led company from Tbilisi, Georgia — hangs above a Duo seat by the Belgian team Muller Van Severen for Valerie Objects. And if you like something, you can probably take it with you; most of the pieces are for sale, and Pycke and Paret are also happy to connect guests directly with designers. . —
Beyond the Netherlands’ biggest and best-known cities, a patchwork of farmland, fields, villages and towns laced by canals, polders, dykes and windmills unfolds across the flat, low-lying Dutch landscapes.
The Netherlands is known for many things – sublime art, sustainability initiatives, glorious countryside – but low prices isn’t typically one of them (especially not in Amsterdam, with the capital ranking as one of Europe’s most expensive cities).